{"id":12577,"date":"2024-02-01T15:03:09","date_gmt":"2024-02-01T15:03:09","guid":{"rendered":"https:\/\/quadra.me\/artistas\/iagor-peres\/"},"modified":"2025-06-25T11:48:28","modified_gmt":"2025-06-25T11:48:28","slug":"iagor-peres","status":"publish","type":"artistas","link":"https:\/\/quadra.me\/en\/artistas\/iagor-peres\/","title":{"rendered":"Iagor Peres"},"content":{"rendered":"\t\t
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Iagor Peres<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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1995 | Rio de Janeiro – RJ<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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bio <\/div><\/span>\n\t\t\t\t\t\t\t\t\t<\/summary>\n\t\t\t\t
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He lives and works in Rio de Janeiro. <\/span><\/p>

In his sculptures and installations, Iagor Peres is guided by the desire to transform the notion of thing through a process of re-categorization of matter. Based on the relationships established between the work, the exhibition environment and the public, Peres pays attention to the range of reactions between matter and the conditions of humidity, temperature and meaning that affect them. These material configurations reflect the artist’s questioning of the difference-producing mechanisms of white-Western thought that affect racialized existence. His experience in dance is also reflected in his emphasis on the body and its dynamics of appearance and withdrawal in space. <\/span><\/p>

His solo exhibitions include <\/span>Entresol<\/span><\/i>, Pols, Valencia, Spain (2024); <\/span>Postpone the night, <\/span><\/i>Futures – Art and Technology, Rio de Janeiro, Brazil (2024); <\/span>When lightning strikes the sand<\/span><\/i>, Quadra, S\u00e3o Paulo, Brazil (2023); He also took part in the group shows <\/span>An interstice in all parts at once<\/span><\/i>, AGUASS, Barcelona, Spain (2024); <\/span>HEAT<\/span><\/i>, Quadra, S\u00e3o Paulo, Brazil (2023); <\/span>PIPA Award<\/span><\/i>, Pa\u00e7o Imperial, Rio de Janeiro, Brazil (2023) and <\/span>Possible agreements<\/span><\/i>, Mendes Wood DM, Brussels, Belgium (2022) and <\/span>Cytoplasmic opera<\/span><\/i>, MON – Oscar Niemeyer Museum, Curitiba, Brazil (2022). <\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/details>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Training
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2021<\/strong> Stone and Air<\/em> Course – EAV Parque Lage, Rio de Janeiro, BR, with Clarissa Diniz and Ulisses Carrilho (3 months)<\/p>

2020<\/strong> Frestas Triennial Study Program – The river is a snake<\/em> with Beatriz Lemos, Diane Lima and Thiago de Paula Souza (2 months)<\/p>

2018<\/strong> Tempo negro<\/em> course with Diane Lima, organized by Di\u00e1spora Conecta in Salvador, BA (1 month)<\/p>

2017<\/strong> Course What we see that looks at us<\/em> with Lia Let\u00edcia, in Recife, PE (6 months)<\/p>

2016<\/strong> Urban Performance Research Laboratory at the German-Brazilian Cultural Center in Recife, PE (12 months)<\/p>

2014<\/strong> Redzero graphic arts school in Niter\u00f3i, BR (12 months)<\/p>

Residencies and Courses<\/strong><\/p>

2023<\/strong> PEI – Independent Studies Program at MACBA – Barcelona, ESP<\/p>

2022<\/strong> Ire – Art, beach and research<\/em> – Salvador, BA, as a result of the FOCO Award (2 months)<\/p>

Immersion in Maranh\u00e3o as a process for a work commissioned by the Vleeshal Center for Contemporary Arts in the Netherlands. Curated by Nomaduma Rosa Masilela and Thiago de Paula Souza (2 months) <\/p>

2021<\/strong> Fellow of the Pedra e Ar<\/em> course at EAV, Parque Lage, Rio de Janeiro<\/p>

2020<\/strong> Orientation Program – Frestas Triennial, SESC, SP. Curated by Beatriz Lemos, Diane Lima and Thiago de Paula Souza (2 months) <\/p>

Piv\u00f4-Research. Curator: Clarissa Diniz (3 months) <\/p>

2019<\/strong> Lugar a Dudas<\/em>, Cal\u00ed. CO. (1 month) <\/p>

Villa Waldberta<\/em>, Munich. GER. Curated by Diane Lima and Mario Lopes (2 months) <\/p>

2018<\/strong> Tempo negro<\/em> – lectures by Diane Lima at Di\u00e1spora Conecta, Salvador, BA<\/p>

2017<\/strong> Residency Conex\u00e3o Curimb\u00f3, Bel\u00e9m, PA<\/p>

What we see that looks at us<\/em> with Lia Let\u00edcia, Recife, PE<\/p>

2016<\/strong> Urban Performance Research Laboratory at CCBA, Brazil-Germany Cultural Center (1 year)<\/p>

Awards<\/strong><\/p>

2023<\/strong> PIPA Award<\/p>

2022<\/strong> FOCO Award – Artrio<\/p>

2021<\/strong> Prince Claus Seed Awards<\/p>

2018<\/strong> Winner of the 6th edition of the EDP Nas Artes Award. Tomie Ohtake Institute, SP. <\/p>

Solo Exhibitions<\/strong><\/p>

2023<\/strong> When the lightning hits the sand<\/em>, Quadra, SP. Curated by Ariana Nuala <\/p>

2021<\/strong> Individual commissioned structure for dense fields for the CCSP 2020 Annual Exhibition Program, S\u00e3o Paulo, SP. Curated by Helio Menezes <\/p>

2018<\/strong> Commissioned exhibition Estudos para minha pele<\/em> for Galeria Maumau’s artist launch project, Galeria Maumau, Recife, PE. Curated by Lia Leticia <\/p>

Group exhibitions<\/strong><\/p>

2023<\/strong> Emo\u00e7\u00e3o de lidar<\/em>, Quadra, SP. Curated by Clarissa Diniz <\/p>

2022<\/strong> Possible Agreements<\/em>, Mendes Wood Gallery, Brussels, BE. Curated by Thiago de Paula Souza <\/p>

Cytoplasmic Opera<\/em>, Oscar Niemeyer Museum. Curated by Diego Mauro and Luana Batista <\/p>

2021<\/strong> Festival Hors Piste, Centre Georges Pompidou and Centro Cultural Vale do Maranh\u00e3o with the work “There between us an obliterating invisible”.<\/em> Curated by Gabriel Gutierrez. <\/p>

Commissioned work “____ ______ I”<\/em> at the Frestas Triennial – Rio is a snake, curated by Beatriz Lemos, Diane Lima and Thiago de Paula Souza.<\/p>

Work commissioned for an online project at Food Culture – From the forest’s ashes, Vevey, Switzerland. Curated by Valentina D’avenia <\/p>

2020<\/strong> Commissioned work for Escrito no Corpo (Engraved on the body)<\/em>, Carpintaria, Rio de Janeiro. Curated by Keyna Eleison and Victor Gorgulho <\/p>

Launch exhibition of the fourth edition of Prop\u00e1gulo magazine, Recife, PE<\/p>

2019<\/strong> What is not a forest is a political prison<\/em>, S\u00e3o Paulo. Curator of Occupation July 9. <\/p>

Work commissionedfor O melhor da viagem \u00e9 a demora<\/em>, Valongo Festival, Santos. Curated by Diane Lima <\/p>

Work commissioned for Cataclismo<\/em>, Garrido Gallery, Recife, PE. Curated by Phantom five. <\/p>

Commissioned work for Lost Body – Displacement as Choreography<\/em>, Villa Waldberta Munch, DE. Curated by Diane Lima <\/p>

The memory of Deriva<\/em>, Casa da P\u00f3lvora, Jo\u00e3o Pessoa, PB. Curated by Abiniel Jo\u00e3o do Nascimento and Thiago Costa. <\/p>

2018 <\/strong><\/i>6th edition of the EDP Nas Artes<\/em> award, Tomie Ohtake Institute, S\u00e3o Paulo<\/p>

2017<\/strong> Mostra \u00c0 Beira<\/em>, Recife, PE. Collective curatorship – Coletivo \u00e0 beira <\/p>

1st Criaturas Urbanas Public Art Exhibition, Maumau Gallery, Recipe, PE. Coordinated by Lia Let\u00edcia <\/p>

Deviant Practices<\/em> – Murillo La Greca Museum, Recife, PE. Curated by Ariana Nuala <\/p>

2014<\/strong> Peixe Vivo<\/em> (Living fish) – Cine Artes, UFF, Niter\u00f3i<\/p>

Publications\/Citations<\/strong><\/p>

2021<\/strong> 6th and 7th edition of Prop\u00e1gulo magazine<\/p>

Review by Denise Ferreira da Silva in the book Brazilian Interviews 2: Hans Ulrich Obrist<\/em><\/p>

Living Drawing Festival Catalog – CCBB. Text by: Ana Kiffer and Ariana Nuala <\/p>

2020<\/strong> Review in Pass Journal in the article “Invisible \/ Obliterating”<\/em> (online) by Denise Ferreira da Silva<\/p>

Review of skinmaterial by Iagor Peres – by Andr\u00e9 Pitol in CCSP’s Annual Exhibition Program<\/p>

Review in Frieze Magazine – in the text Refusal and escape<\/em> (online and in print) by Denise Ferreira da Silva<\/p>

Bololo<\/em> collective publication – developed as a conclusion to the PIV\u00d4 research residency<\/p>

Contribution to the text – There between us an obliterating invisible<\/em> – EHCHO<\/p>

Purposes other than death.<\/em> Curator: Paulete LindaCelva<\/p>

Contribution to the text – When lightning strikes sand.<\/em> Prop\u00e1gulo Magazine, 4th edition, Recife\/PE<\/p>

2019<\/strong> Gravidade Magazine – 3rd edition, Salvador\/BA<\/p>

2018<\/strong> EDP Nas Artes Catalog – Review text by Diane Lima<\/p>

Conversations\/ Interviews\/ Podcasts<\/strong><\/p>

2022<\/strong> Interview for Contemporary & America Latina<\/p>

2021<\/strong> Interview with Monica Coster for Desvio magazine<\/p>

2020<\/strong> Montez Press Radio – NY, USA. Episode: Ends. Curated by: Manuel Arturo Abreu <\/p>

2019<\/strong> MOTE Podcast – 15th edition – Paulete LindaCelva, Recife\/BR. <\/p>

Viernes Social, Lugar a Dudas, Cal\u00ed\/CO.<\/p>

Materialities Class – Universidad de Bellas Artes, Cal\u00ed\/CO.<\/p>

CURVA PODCAST Curated by: Leticia Barbosa, Recife\/BR.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/details>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Ana Cl\u00e1udia Almeida and Guilherme Ginane participate in 'Uma m\u00e3o lavava a outra' (One hand washes the other) at Espa\u00e7o Olh\u00e3o<\/p>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Ana Cl\u00e1udia Almeida and Guilherme Ginane participate in 'Uma m\u00e3o lavava a outra' (One hand washes the other) at Espa\u00e7o Olh\u00e3o<\/p>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Ana Cl\u00e1udia Almeida and Guilherme Ginane participate in 'Uma m\u00e3o lavava a outra' (One hand washes the other) at Espa\u00e7o Olh\u00e3o<\/p>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Ana Cl\u00e1udia Almeida and Guilherme Ginane participate in 'Uma m\u00e3o lavava a outra' (One hand washes the other) at Espa\u00e7o Olh\u00e3o<\/p>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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1995 | Rio de Janeiro – RJ bio He lives and works in Rio de Janeiro. In his sculptures and installations, Iagor Peres is guided by the desire to transform the notion of thing through a process of re-categorization of matter. Based on the relationships established between the work, the exhibition environment and the public, […]<\/p>\n","protected":false},"featured_media":6608,"template":"","tags":[],"class_list":["post-12577","artistas","type-artistas","status-publish","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"\nIagor Peres - Quadra<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/quadra.me\/en\/artistas\/iagor-peres\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Iagor Peres - Quadra\" \/>\n<meta property=\"og:description\" content=\"1995 | Rio de Janeiro – RJ bio He lives and works in Rio de Janeiro. In his sculptures and installations, Iagor Peres is guided by the desire to transform the notion of thing through a process of re-categorization of matter. 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