{"id":12596,"date":"2022-09-13T15:41:51","date_gmt":"2022-09-13T15:41:51","guid":{"rendered":"https:\/\/quadra.me\/artistas\/ana-claudia-almeida\/"},"modified":"2025-11-21T18:28:37","modified_gmt":"2025-11-21T18:28:37","slug":"ana-claudia-almeida","status":"publish","type":"artistas","link":"https:\/\/quadra.me\/en\/artistas\/ana-claudia-almeida\/","title":{"rendered":"Ana Cl\u00e1udia Almeida"},"content":{"rendered":"\t\t
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Ana Cl\u00e1udia Almeida<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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1993 | Rio de Janeiro – RJ<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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bio <\/div><\/span>\n\t\t\t\t\t\t\t\t\t<\/summary>\n\t\t\t\t
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She lives and works in New Haven, United States.<\/span><\/p>

Ana Cl\u00e1udia Almeida’s material universe is based on the manipulation of paints, plastics, oil sticks, fabrics and images. The fluttering appearance of her works on cloth, the accumulative and shifting nature of the sculpture and the kaleidoscopic fragmentation of the large-scale paintings transpose and translate intangible memory into matter. This dimension is felt both on the surface of the works, as Almeida allows traces of previous gestures to remain in the final form, and in a conceptual and symbolic way. Made up of intense superimpositions of full and empty spaces, the abstraction that defines the works on display resonates with the visual and conceptual depth of his work, which formally and thematically mirrors layers of memory, practices and rituals. <\/span><\/p>

His recent solo exhibitions include Over Again, S<\/em><\/span>tephen Friedman Gallery, New York (2025); <\/span>Guandu Paragua\u00e7u Piraquara,<\/i><\/span> Fortes D’Aloia & Gabriel, Rio de Janeiro, Brazil (2023); <\/span>Holes, Craters and Hugs,<\/i><\/span> Quadra, Rio de Janeiro, Brazil (2021); <\/span>Wasapindorama,<\/i><\/span> Niter\u00f3i Art Foundation, Niter\u00f3i, Brazil (2018). In 2024, Almeida took part, together with the artist Tad\u00e1sk\u00eda, in the exhibitions Ana Cl\u00e1udia Almeida & Tad\u00e1sk\u00eda <\/em>, simultaneously at the galleries Fortes D’Aloia & Gabriel and Quadra, in S\u00e3o Paulo, Brazil, and <\/span>Tad\u00e1sk\u00eda and Ana Cl\u00e1udia Almeida: A Joyner\/Giuffrida Visiting Artists Program<\/i><\/span>at the Nevada Museum of Art, Nevada, United States. The artist was also part of the group exhibitions Alvorada<\/em>, Dover Street Market, Paris (2025); A Poeira Terr\u00edvel<\/em>, Quadra, S\u00e3o Paulo (2025); <\/span>Essay on Landscape<\/i><\/span>, Inhotim Institute, Brumadinho, Brazil (2024); <\/span>Look at the mountains,<\/i><\/span> Quadra, S\u00e3o Paulo, Brazil (2024); E<\/span>ssas Pessoas na Sala de Jantar,<\/i><\/span> Eva Kablin House Museum, Rio de Janeiro, Brazil (2023); <\/span>Cr\u00f4nicas Cariocas,<\/i><\/span> Rio Art Museum, Rio de Janeiro, Brazil (2021) and <\/span>Casa Carioca,<\/i><\/span> Rio Art Museum, Rio de Janeiro, Brazil (2021). His works are part of the collections of the Museu de Arte do Rio, Instituto Inhotim and Sesc Rio de Janeiro. <\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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She lives and works in New Haven, United States.<\/span><\/p>

Ana Cl\u00e1udia Almeida’s material universe is based on the manipulation of paints, plastics, oil sticks, fabrics and images. The fluttering appearance of her works on cloth, the accumulative and shifting nature of the sculpture and the kaleidoscopic fragmentation of the large-scale paintings transpose and translate intangible memory into matter. This dimension is felt both on the surface of the works, as Almeida allows traces of previous gestures to remain in the final form, and in a conceptual and symbolic way. Made up of intense superimpositions of full and empty spaces, the abstraction that defines the works on display resonates with the visual and conceptual depth of his work, which formally and thematically mirrors layers of memory, practices and rituals. <\/span><\/p>

Her recent solo exhibitions include <\/span>Guandu Paragua\u00e7u Piraquara,<\/i><\/span> Fortes D’Aloia & Gabriel, Rio de Janeiro, Brazil (2023); <\/span>Holes, Craters and Hugs,<\/i><\/span> Quadra, Rio de Janeiro, Brazil (2021); <\/span>Wasapindorama,<\/i><\/span> Niter\u00f3i Art Foundation, Niter\u00f3i, Brazil (2018). In 2024, Almeida took part, together with the artist Tad\u00e1sk\u00eda, in the exhibitions Ana Cl\u00e1udia Almeida & Tad\u00e1sk\u00eda <\/em>, simultaneously at the galleries Fortes D’Aloia & Gabriel and Quadra, in S\u00e3o Paulo, Brazil, and <\/span>Tad\u00e1sk\u00eda and Ana Cl\u00e1udia Almeida: A Joyner\/Giuffrida Visiting Artists Program<\/i><\/span>at the Nevada Museum of Art, Nevada, United States. The artist was also part of the group exhibitions <\/span>Essay on Landscape<\/i><\/span>, Inhotim Institute, Brumadinho, Brazil (2024); <\/span>Look at the mountains,<\/i><\/span> Quadra, S\u00e3o Paulo, Brazil (2024); E<\/span>ssas Pessoas na Sala de Jantar,<\/i><\/span> Eva Kablin House Museum, Rio de Janeiro, Brazil (2023); <\/span>Cr\u00f4nicas Cariocas,<\/i><\/span> Rio Art Museum, Rio de Janeiro, Brazil (2021) and <\/span>Casa Carioca,<\/i><\/span> Rio Art Museum, Rio de Janeiro, Brazil (2021). His works are part of the collections of the Museu de Arte do Rio, Instituto Inhotim and Sesc Rio de Janeiro. <\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/details>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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curriculum<\/p>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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portfolio<\/p>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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texts <\/div><\/span>\n\t\t\t\t\t\t\t\t\t<\/summary>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\tCritical Text Ana Cl\u00e1udia Almeida & Tad\u00e1sk\u00eda<\/em><\/a><\/span> , by Clarissa Diniz.\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Training
<\/b>2023-25 <\/b>MFA Candidate, Painting and printmaking, Yale, New Haven, USA
<\/span><\/b>2018-20 <\/b>EAV Parque Lage – Training and Deformation Program with Gleyce Kelly Heitor, Clarissa Diniz and Ulisses Carrilho, Rio de Janeiro, BR
2011-18 <\/b>Sandwich Degree in Industrial Design, Rio de Janeiro State University and Virginia Commonwealth University,
Richmond, USA<\/p>

Solo and duo exhibitions
<\/b>2024 <\/b>Ana Cl\u00e1udia Almeida & Tad\u00e1sk\u00eda<\/em>, Fortes D’Aloia & Gabriel and Quadra,
S\u00e3o Paulo, BR
<\/b><\/b>2024 <\/strong><\/span><\/b>Tad\u00e1sk\u00eda and Ana Cl\u00e1udia Almeida: A Joyner Giuffrida Visiting Artists Program<\/em>, Nevada Museum of Art, Nevada, USA
2023 <\/strong><\/span><\/b>Guandu Paragua\u00e7u Piraquara<\/em>, Carpintaria, Rio de Janeiro, BR
2022 <\/strong>Submersiva Ato II<\/em> (with Carla Santana), Quadra, Rio de Janeiro, BR
2021<\/strong> Holes, Craters and Hugs<\/em> (part II), Central Galeria, S\u00e3o Paulo, BR
<\/span>2021<\/b> Holes, Craters and Hugs<\/em>, Quadra, Rio de Janeiro, BR
2018 <\/strong>Wasapindorama<\/em>, Niter\u00f3i Art Foundation, Niter\u00f3i, BR<\/p>

Installations<\/strong>
2021<\/strong> Submersiva – Ato I<\/em> (with Carla Santana), Auroras, S\u00e3o Paulo, BR
2020<\/strong> Untitled, Opera Os Contos de Hoffmann<\/em> (with Ana Clara Tito, Carla Santana and La\u00eds Amaral), Teatro Municipal, Rio de Janeiro, BR<\/p>

Selected group exhibitions
<\/b>2024 <\/b>A place that it is not here,<\/i><\/span> African American House of Yale,
New Haven, USA
2024<\/strong> Ven Sin Nombre,<\/i><\/span> Yale School of Art, New Haven, USA
<\/b>2024 <\/strong><\/span><\/b>Landscape essay<\/em>, Instituto Inhotim, Brumadinho, BR
<\/span>2024 <\/strong>Look at the mountains<\/em>, <\/strong>Quadra, S\u00e3o Paulo, BR
2023 <\/strong>About Painting III<\/em>, Galerie Rolando Anselmi, Rome, IT
2023<\/strong> Those People in the Dining Room<\/em>, Eva Kablin House Museum,
Rio de Janeiro, BR
2023 <\/strong><\/span><\/b>Abstractions<\/em>, SESC Nova Igua\u00e7u, Nova Igua\u00e7u, BR
<\/i>2023<\/strong> Emo\u00e7\u00e3o de lidar<\/em>, Quadra, S\u00e3o Paulo, BR
2022<\/strong> Dentro de ti<\/em>, Quadra, S\u00e3o Paulo, BR
2022<\/strong> Abstractions<\/em>, SESC Flamengo, Rio de Janeiro, BR
2022<\/strong> Small Paintings<\/em>, Auroras, S\u00e3o Paulo, BR
<\/i>2022 <\/strong>Dismantle, undo<\/em>, Quadra, S\u00e3o Paulo, BR
2022<\/strong> Arrows and Tourmalines<\/em>, Casa de Cultura do Parque, S\u00e3o Paulo, BR
<\/span>2022 <\/strong>Heat<\/em>, Quadra, Rio de Janeiro, BR
2021<\/strong> Cr\u00f4nicas Cariocas<\/em>, Museu de Arte do Rio, Rio de Janeiro, BR
2021<\/strong> Casa Carioca<\/em>, Museu de Arte do Rio, Rio de Janeiro, BR<\/span>
2021<\/b> Electric Dreams<\/em>, Galeria Nara Roesler, Rio de Janeiro, BR
2021 <\/b>Moving Scapes<\/em>, Brussels Drawing Week, Brussels, BE
<\/span>2021 <\/b>Brisa<\/em>, Quadra, S\u00e3o Paulo, BR
<\/span>2020<\/b> Estopim e Segredo<\/em>, EAV Parque Lage, Rio de Janeiro, BR
2020 <\/b>Rascality<\/em>, Titocar Espa\u00e7o Po\u00e9tico, Rio de Janeiro, BR
2020<\/b> Night<\/em>, Helio Oiticica Municipal Art Center, Rio de Janeiro, BR
2020 <\/b>Both at 80km per hour<\/em>, Caixa Preta, Rio de Janeiro, BR
2019 <\/b>Habitar Liberdades<\/em>, Solar dos Abacaxis, Rio de Janeiro, BR
2019 <\/b>Under the Power of Presence<\/em>, Museum of the Republic, Rio de Janeiro, BR
2019 <\/b>ArteCore<\/em>, MAM Rio, Rio de Janeiro, BR
2019 <\/b>Plural<\/em>, Galeria Aymor\u00e9, Rio de Janeiro, BR
2019 <\/b>The Use of Image<\/em>, Ateli\u00ea da Imagem, Rio de Janeiro, BR
2019 <\/b>Margem<\/em>, Sesc Madureira, Rio de Janeiro, BR
2019 <\/b>Se Vienen por La Ma\u00f1ana…<\/em>, Interior 2.1, Guadalajara, MX
2019 <\/b>ESQUELE70<\/em>, Pa\u00e7o Imperial, Rio de Janeiro, BR
2019 <\/b>In everything that lives, everything that flows<\/em>, Solar dos Abacaxis, Rio de Janeiro, BR
2018 <\/b>Seeing the invisible, Saying the unspeakable<\/em>, Valongo International Image Festival, Santos, BR
2018 <\/b>II Pega<\/em>, H\u00e9lio Oiticica Municipal Art Center, Rio de Janeiro, BR
2018 <\/b>Superf\u00edcies<\/em>, Galp\u00e3o Bela Mar\u00e9, Rio de Janeiro BR
2018 <\/b>Ves\u00edcula<\/em>, Espa\u00e7o Breu, S\u00e3o Paulo, BR
2018 <\/b>Bela Ver\u00e3o<\/em>, Galp\u00e3o Bela Mar\u00e9, Rio de Janeiro, BR
2016<\/b> Afrotranscendence<\/em>, Red Bull Station, S\u00e3o Paulo, BR<\/p>

Collections
<\/b>Museu de Arte do Rio
Instituto Inhotim
Sesc Rio de Janeiro
Joyner\/Giuffrida Collection<\/p>

Awards \/ Residencies \/ Scholarships
<\/b><\/b>2024 <\/strong>Joyner\/Giuffrida Program Residency, Reno, USA
2024 <\/strong>Ser\u00e3o Negro Residency, Goi\u00e2nia, BR
2022<\/strong> Ateli\u00ea Mondial Residency, Basel, Switzerland
<\/span>2021<\/strong> Rato Branko Residency, Rio de Janeiro, BR
<\/span>2020<\/b> Piv\u00f4 Research Program Residency, Piv\u00f4, S\u00e3o Paulo, BR
2020 <\/b>Pipa Award nominee, BR
2019 <\/b>Scholarship Formation and Deformation Program, EAV Parque Lage, Rio de Janeiro, BR
2019 <\/b>Residency Centro Municipal de Arte H\u00e9lio Oiticica, Rio de Janeiro, BR
2018 <\/b>Residency Valongo International Image Festival, Santos, BR
2018 <\/b>EDP Arts Award Finalist, Tomie Ohtake Institute, S\u00e3o Paulo, BR
2018 <\/b>Afrotranscendence Program, Red Bull Station, S\u00e3o Paulo, BR<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/details>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Ana Cl\u00e1udia Almeida and Guilherme Ginane participate in 'Uma m\u00e3o lavava a outra' (One hand washes the other) at Espa\u00e7o Olh\u00e3o<\/p>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Ana Cl\u00e1udia Almeida and Guilherme Ginane participate in 'Uma m\u00e3o lavava a outra' (One hand washes the other) at Espa\u00e7o Olh\u00e3o<\/p>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Ana Cl\u00e1udia Almeida and Guilherme Ginane participate in 'Uma m\u00e3o lavava a outra' (One hand washes the other) at Espa\u00e7o Olh\u00e3o<\/p>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Ana Cl\u00e1udia Almeida and Guilherme Ginane participate in 'Uma m\u00e3o lavava a outra' (One hand washes the other) at Espa\u00e7o Olh\u00e3o<\/p>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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1993 | Rio de Janeiro – RJ bio She lives and works in New Haven, United States. Ana Cl\u00e1udia Almeida’s material universe is based on the manipulation of paints, plastics, oil sticks, fabrics and images. The fluttering appearance of her works on cloth, the accumulative and shifting nature of the sculpture and the kaleidoscopic fragmentation […]<\/p>\n","protected":false},"featured_media":1794,"template":"","tags":[],"class_list":["post-12596","artistas","type-artistas","status-publish","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"\nAna Cl\u00e1udia Almeida - Quadra<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/quadra.me\/en\/artistas\/ana-claudia-almeida\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Ana Cl\u00e1udia Almeida - Quadra\" \/>\n<meta property=\"og:description\" content=\"1993 | Rio de Janeiro – RJ bio She lives and works in New Haven, United States. 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